Resistance play. If you’d asked me about that a year ago, I would have blinked at you in confusion. Why would I, as a submissive, resist? It’s not what you’re “supposed to do.” Now, I regularly play with four people and I have completely different attitudes around resistance for each of them. Let me quickly define here that by resistance I don’t mean fighting instead of safe wording or saying no. I mean giving in to the fight or flight response that some of the play I’m involved in triggers, thus causing the other person to have to work harder to keep control.
One, if I resist, unless he is deeply into what is happening and very enrolled in it happening, will back off immediately, possibly concerned he has done something terribly wrong. I tend to be clear with him about what I want and make sure we don’t do things that would trigger resistance in me unless he is ready and able to deal with it.
Another, if I resist, gives me The Look, and I am immediately apologetic and expect punishment to be swift. He is able to shut down my resistance completely mentally. He occasionally uses this control to end my resistance to someone other than himself.
The third I resist very specifically, usually his teeth, or tickling, and he knows and expects it, and enjoys restraining me more forcefully for those things. He also enjoys putting me in completely vulnerable positions, making me physically unable to resist. This can take me through interesting head spaces as I try to resist anyway and then realize just how futile it is.
The last, I almost always resist, most of our play is resistance play, and we both enjoy it immensely. He can, however, still crook his finger, hold out a hand or give a command and pull completely submissive behavior from me when he wants to. We both enjoy the challenge of seeing how long it takes for him to win, for I am under no illusions that he will not eventually do so. I do like to think, however, that I’m getting better at it as we go along.
Resistance play can be incredibly fun, or incredibly detrimental, as with anything, everyone in the scene needs to be clear on what is going to happen.