May 2nd, 2013
There is something growling inside her tonight. She’s looking for a fight. Not an argument, not to win, she just wants to fight, to struggle, and to be beaten down, held down, forced to surrender.
He sees the gleam in her eyes, the set of her jaw. He can sense the tightness in her body, as she comes to the bedside. Usually, he would just point to the floor and she would kneel and relax, but he knows that isn’t going to work tonight.
He grabs her roughly by the hair, fingers tight against her skull and forces her down to the floor. He gauges her resistance by her hands on his, instead of in her lap, the tension in her neck, and then he pulls her back up and shoves her onto the bed. Usually, she would stay where he put her.
Tonight, she scrambles up onto the bed and turns to face him. He glances down at his toybag, considering his options. Rope. Metal. Canvas. Clamps. Gag. Hood. Tape. One step at a time, he scoops up the handcuffs.
He grabs her arm and snaps one cuff on before she can pull away. Now she does, but he is stronger, holding the captured limb, while he tries to grab the other. She squirms and holds it out as far away as she can, so he twists the one he has behind her back, forcing her onto her stomach, and pins it with a knee. Using both hands, he captures and twists the other to meet the first, locking it in.
Off the bed again, for the next item. She rolls back up to her knees, glaring at him. The familiar jingle of nipple clamps has her growling out loud as he returns to the bed. Hands, trapped, she face-plants, spreading her legs wide to keep him from rolling her over.
He straddles her ass, grabbing a shoulder in one hand and a breast in the other. She wriggles against him, cursing now, through her growls. But a nipple is freed and quickly clamped and she freezes, not wanting to squish it back into the bed. Breathing hard, teeth gritted, whimpering, waiting for it to sink in.
He gives her a choice, keep turning or get it shoved back down. He’s stronger than her, she knows it, turns over, the other clamp is put in place. More cursing and growling and whimpering, she bucks her hips to give him extra momentum in dismounting her this time.
She barely notices as he picks up rope next, but when a loop drops down over her ankle, she yanks it away. Too late, he yanks back, wrapping the rope under the bed, he has the leverage, and is already at the other corner. Her free leg is curled up, but a quick yank on the nipple clamps and she, screaming, relinquishes the ankle. Tied off and he’s back at the bag.
Returns with a gag and hood. She clenches her teeth, hates gags. Choking and panic and oh gods, the drool. He holds it in front of her mouth, she shakes her head. He cocks an eyebrow, she closes her eyes and shakes her head. Pressure points and her mouth cracks open, thumb in over her teeth, forcing her wider. The gag replaces fingers, tight grip keeps the tension while he buckles it on. She bites down hard, trying to stay calm, breathing already rushing in panic. His hand on her throat and she freezes. Breathe, eyes locked with hers. And the hood comes down over all.
He goes back to the bag, one last time. She hears the click of large buckles, suddenly her burning nipples return to the front of her mind. She sits bolt upright, leaning forward, trying to curl into a little ball. Oh o, o, o, o. She can’t form an N through the gag. He is behind her, the straitjacket in hand. Cursing and writhing, she rocks back hard against him, pushing, shaking.
He grabs her hands, unlocks one wrist, pinning the cuff with a leg to control the still-cuffed arm. He grabs the free arm, threading it into the jacket. She tries to throw it off, tries to bungle it up, tries to push him off the bed. But she moving too much and her nipples are screaming, and she is coughing on the gag. Once her arm is in, she has to stop, has to breathe.
He slips a hand up the back of the nylon hood and grabs her hair, yanking her up out of her defensive curl, drapes the jacket in front of her and then lets her go again. She does not move, does not want to press the clamps against the canvas. Carefully, he uncuffs the other arm, and starts to maneuver it into place. She fights weakly, whimpering and moaning with pain, trying just to keep her arm still, but slowly, he pushes it down into the sleeve.
He yanks the back closed and she is bucking and screaming again. There’s no stopping the pain now, so she is no longer careful. Shoving back against him. Shaking back and forth. Rocking side to side. He wraps his legs around her to pin her in place, yanking each buckle tight as she groans through the gag and hood. Her arms are out to either side, straight out and locked tight.
He grabs on, pressure points and bent, and wrapped, pinned with a leg. Then the other, forcing it around. Nice big hug. Buckles together and her struggling weakens. Pulled tight one big scream. Head shaking, teeth clenching, hood soaked in tears and drool. He wraps his arms around her and pulls her tight against his chest, pulling her to lie down on top of him. Her whimpers turn to sobs, struggles to shaking, and then all to stillness.
September 30th, 2010
I have had fantasies about someone hiding under my bed and jumping me or catching me coming naked out of the shower since I hit puberty. I don’t go for the full on beat the crap out of me type of fantasy that some people may enjoy. I prefer more mental than physical taking of control. Use of fear instead of violence. The threat to keep me still and compliant, rather than being beaten into submission. I’ve never been one for violence. Yes, I like pain, but for it’s own sake, not for taking of control. It is the mind where control truly lives. When I write or imagine such scenes, the assailant usually has a gun or a knife, some physical representation of potential violence, but they never use it.
The other day Lover and I were playing and he said he was going to force me, but when we got to the bedroom, he ordered my clothes off and I complied for no reason other than he said the word Strip. Then we played and had sex. The only consensual non-consent part of the whole thing were the nipple clamps. Later that night, I was thinking about the willingness taking the power from the scene. The idea of my pants being opened and shoved out of the way, my shirt being pulled up just enough for breast access, is far more a turn on than full nudity. It feels more non-consensual that way, feels more like there is resistance, feels more like being used.
Being used. Why is that a turn on? Why on earth would I want to be used?
It is part of the overarching fantasy of giving up all will and control to someone. Being an object, a tool, a toy for their use and pleasure. The added spike of someone taking that control makes it that much hotter of a fantasy. Sex, for me, is the most intimate act, and therefore, taken without consent, the biggest violation. Therefore, it only works with someone I love and trust, it has to be consensual non-consent to turn me on in reality. It’s a fine line to walk. How do you make non-consent hot when it is consensual?
Creating the scene in the mind. Talking as though it was real. Whispered threats and hints at pushing too far. Role playing it out, creating the roles and fully stepping into them. Allowing for resistance and the taking away of control. The element of surprise can be used as well. Having agreed to the scene, but not the time and place. Choosing an unexpected place, perhaps a place with just a bit of danger of being caught, to heighten everyone’s awareness during the scene. Doing things that are unexpected. Forcing actions that are allowed, but not particularly liked. Agreeing to continue the scene until the top is done, regardless of when the bottom is done unless there is dire need to end the scene early – allowing for emergency Red, but not for Yellow.
September 30th, 2009
Resistance play. If you’d asked me about that a year ago, I would have blinked at you in confusion. Why would I, as a submissive, resist? It’s not what you’re “supposed to do.” Now, I regularly play with four people and I have completely different attitudes around resistance for each of them. Let me quickly define here that by resistance I don’t mean fighting instead of safe wording or saying no. I mean giving in to the fight or flight response that some of the play I’m involved in triggers, thus causing the other person to have to work harder to keep control.
One, if I resist, unless he is deeply into what is happening and very enrolled in it happening, will back off immediately, possibly concerned he has done something terribly wrong. I tend to be clear with him about what I want and make sure we don’t do things that would trigger resistance in me unless he is ready and able to deal with it.
Another, if I resist, gives me The Look, and I am immediately apologetic and expect punishment to be swift. He is able to shut down my resistance completely mentally. He occasionally uses this control to end my resistance to someone other than himself.
The third I resist very specifically, usually his teeth, or tickling, and he knows and expects it, and enjoys restraining me more forcefully for those things. He also enjoys putting me in completely vulnerable positions, making me physically unable to resist. This can take me through interesting head spaces as I try to resist anyway and then realize just how futile it is.
The last, I almost always resist, most of our play is resistance play, and we both enjoy it immensely. He can, however, still crook his finger, hold out a hand or give a command and pull completely submissive behavior from me when he wants to. We both enjoy the challenge of seeing how long it takes for him to win, for I am under no illusions that he will not eventually do so. I do like to think, however, that I’m getting better at it as we go along.
Resistance play can be incredibly fun, or incredibly detrimental, as with anything, everyone in the scene needs to be clear on what is going to happen.