Are You a Wildmage?

I am a geek. He looked at me and asked if I get upset when my D&D character does something wrong or bad. I said of course not. He asked what is the difference? I said that was a character, a game. He pointed out that being object is just a role I choose to play, and a lightning bolt hit me in the head.

Are you submissive? Yes. Are you an object? No.

The second should not have been a hard question, nor should it have had so many wide ranging implications, but it was and therefore it did. No, I did not think I was an object, but yes, I was trying to be one. Trying really damn hard to be one, and be a perfect one, without the error and failure that is inherent to being human. We knew I have a perfectionist streak. What we did not know, is that I had gotten lost in the intoxication of the fantasy, and had forgotten that object was a role, not a goal. I enjoy thinking for myself, making my own decisions, being a smart ass, loving, living, playing and serving. Object is one way to play and serve, but it is far too limited a role to wear all the time. I am so much more than that.

What problems was this causing?

Because I was not keeping the line drawn between fantasy and reality, I was not divorcing object’s actions from self. I was carrying baggage from our scenes back into my day to day life. I was carrying guilt and blame from play into reality. Instead of using our transition ritual in the way it was intended, to shed the trappings of object, I was gathering it all up to pile on self. Self gave way under the pressure a few weeks ago, and we had been scrambling to figure out what had caused it ever since.

Viewing object as a part of self instead of as a role to put on also led to problems with the transition into object space, as well. I had trouble identifying the boundaries between submissive and object. I had trouble communicating when I was going from one to the other. I thought of object as a deeper part of my submission, so one night, even though I felt objectified, I did not identify that as a need to begin object space.

Another problem was keeping my focus in object space. If we were in public, I would give him priority, but I was also still interacting with other people fairly normally. When I would turn to address him, I would not always have my object role firmly in mind, nor his as owner. I would drop Sir, or be thinking of him as boyfriend. This loss of focus and loss of role had the potential to cause hurt to us both.

What are solutions to these problems?

One solution to the problem of leaving object’s baggage with object, is in properly using the transitional ritual he had me create. Looking back at my post about the creation of the ritual, I was more focused on limiting drop from our scene. Limiting its effects on my other partners. He spoke of relieving girlfriend of any lingering guilt for object’s actions, but I don’t think I really understood that as well as I do now. The ritual I created worked for my needs then and it covers current needs as well. The gratitude not only serves to simply be grateful for what he gave to me in the scene, but can also serve to acknowledge it as just that, a scene. Service, which often was discussing the scene to help us both process, was intended to give me time to deal with the emotions and reactions to the scene in the immediate, so I did not carry them with me back out into the world. Connection, to reconnect with him as girlfriend and finish the transition out of the role of object, back to the reality of self.

The solution to the second problem is self awareness. Staying aware of my self even while transitioning. Being very aware of what it feels like and being able to communicate that clearly. I need to keep in mind that not only do I need to take on the role of object, but at the very same time, he needs to take on the role of owner. He can only do that if I clearly communicate with him. Owner/object does not work if both roles are not fully taken at the same time. We created verbal tools to do this, my saying Sir, and his confirming with me, or his asking the trigger question of Aren’t you under dressed? and my confirming with a Yes, Sir. If he is pushing me mentally or physically towards object space, it is up to me to let him know when I arrive. He cannot know my mind, and so I must. I must be aware and clear and able to communicate with him, before, during and after a scene.

Solving the third problem is something I have had a constant struggle with over the last seven months. I had it tackled for a while, having problems only with volume and clear speaking as opposed to staying in state. I think this is part of the same need for awareness, but in this case, not just awareness for myself, but for him as well. I have a responsibility to maintain my role as well as keeping his in mind. This is not a part I can equate to gaming, we rarely stay in character at the table, and I’ve had very little experience with LARP, but theater on the other hand works. I was in a lot of plays as a teenager, and while I never had a big part, it was always important to stay in character on stage, no matter what you were doing. You don’t address your fellow actors as your friends, but only as the character they are currently playing. Sir is the verbal tool here as well, a reminder of role in every sentence I speak. A requirement of the character I have chosen to play.

These are not the only problems, nor the only solutions, but they are a place to start.



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